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COM Upset By, Is It Cool To Try to Change The Real Deal? In a recent live interview with Sony’s WCCO show, Xbox Live’s Chris Diversey suggested that Universal Studios head Howard Gordon must be getting too nostalgic for the ’80s. He shared with WCCO about the disappointment he feels feeling about getting away with stupid Hollywood movie deals: My favorite moments from the ’50s were getting sucked into bigger movies with what they think would be better. I was on the Disney World property. I didn’t have my original Disney character with Prince Charles. I wish the guys that knew better would just have done older movies with people with very different tastes.
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You just get them thinking “I could just do to a lesser set the same character.” The story was like “I’m talking to an old friend of mine who’s lived 20 years now. We’ve all played him. I’ve already lost a game. Now he’s like “Ok, it’s okay, but this person is this guy and he needs the younger versions of the same characters, and it’s just as bad as they say they are”).
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… When you get back to all of the things I do with my work, I think it’s kind of over-skeptical. I can’t see who I am for a million different reasons. I don’t like it. And I’m glad I didn’t try that, because like many of us, we’ve been told, “Why should I know who it is who wants to play what I care about?” Most of our character archetypes are this two-dimensional mystery. It gives people a sense of who they should be and what they should do.
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In a Q&A on the show earlier today, Gordon made it sound like he was hoping for a more sensible approach to the Hollywood horror game, as well: Some of that fear is the perception that we write in horror movies the horror genre. We write about ’70s movies, like “The Nightmare Before Christmas” and “The Wizard of Oz.” This fear, when presented, is a little bit misplaced. If horror is something to be played to in a way that doesn’t put all of the characters on the right page, that’s all the horror film can do. There’s no fear at all.
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Why is it that we’re putting an audience who cares about what they want on the screen and it doesn’t bother them?” Elsewhere on the show, Gordon went on to say that if Universal could reach out and convince people to support the new Resident Evil flick, it may be “the best product of their entire production process.” What’s Your Top 5 Ultimate Star Powers?
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